The young Kate is imprisoned by bad luck over night in the London Underground. But she is not alone. A monster, which is responsible for the disappearance of many homeless people, has it in for them. Such can be the not very innovative story of the German / British co-production Creep (directed by Christopher Smith, 2004) can be summarized briefly. Franka Potente midst as Kate, the race here a little awkward for her life and stumble through some plot holes must. In doing so the audience Creep at least keep good that the technically solid film throughout, boasts an exciting layout exposure. The claustrophobic emptiness of the blockaded railway station and the still unidentified risk are placed in an appealing manner. The promising first impression but rapidly evaporates. By continuously extended screen time of the Creeps, the film loses much of its potential. The irrational, diffuse tension of the start into the background and can be compensated by increasingly bloody deposits. These are out of solid, useful but not much. If government pursues the intention of the movie at least heave a bit too far from the bottom of similar productions, other ways should have been followed. What remains is a concoction of Schedule F with many unresolved questions. Questions such as why no one cares disappear for a subway, in the seemingly countless homeless? Why it caught the night keeper of the London Underground's only now? Why Creep kills some of his victims on the spot, while others are first stored in a water cage for wasting away? And who ever the make-up has done wrong for the degenerates? All questions on which one would actually have no real answer. (04/10 points)
Sunday, April 5, 2009
Redken Camo Vs Goldwell
Creep
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